ASKING FOR A FRIEND

How do I deal with ageism when applying for agency roles after 15 years as a sole trader?

ASKING FOR A FRIEND - QUESTION

Is ageism real in the creative industry? Absolutely. Is it the only thing standing between a 50-year-old sole trader and an agency role? Maybe not. In this Asking For A Friend session, host Andy Wright puts the question to Nick Hunter, industry leader and agency principal who is actively hiring for taste over youth, and Aimee Davies, mental health expert who knows a thing or two about staying resilient when the job market feels personal. Together they challenge the assumptions on both sides, offer genuinely creative alternatives to the standard application process, and remind us that 15 years of running your own practice is not a liability. It might just be exactly what the right agency is looking for.

After 15 years running your own practice and 25 job applications with nothing to show for it, it's easy to conclude that age is the problem. But is it really that simple?

This question was answered by Nick Hunter, industry leader and agency principal with direct experience of hiring and reshaping creative teams, Aimee Davies, mental health expert specialising in the creative sector, and Andy Wright, host of Asking For A Friend on Never Not Creative, who brought both warmth and useful challenge to the conversation.

Age might not be the only barrier

Nick was candid: the advertising industry has a long history of ageism, but the picture is shifting. As agency structures have flattened, there is growing demand for senior, experienced people who can lead accounts, exercise autonomy, and bring a steadying influence to unstable environments. Nick also pushed back on the assumption that younger applicants automatically understand emerging technology. Recent research on AI adoption, for instance, shows 35 to 45 year olds using it more actively than 18 to 24 year olds. Fresh does not always mean ready.

Taste is the new currency

Perhaps the most striking point Nick made is that he now hires primarily for taste, not just experience or technical skill. Taste, he argued, is one of the few things that cannot be automated, and it tends to deepen with experience. Fifteen years running your own practice builds exactly that.

Getting noticed takes more than applications

Sending off applications in a tough market is, as Nick put it, a bit like buying a lottery ticket. The invitation here is to be creative about how you get in front of people. Show up in unexpected ways, share your thinking publicly, and find routes that bypass the standard process entirely.

Protecting your sense of self along the way

Aimee reminded us that resilience in a prolonged job search means actively separating your identity from each rejection. Leaning into your existing community, having honest conversations about where you are, and keeping personal creative projects alive are not indulgences but necessities. They keep your confidence and your craft intact while you navigate the process.

The job market is hard for everyone right now. That context matters, and so does the perspective you bring to it.

our guests

Industry Leader

Nick Hunter
Paper Moose

Mental Health Expert

Aimee Davies
The Hey Mate Project

Host

Andy Wright
Never Not Creative, Streamtime

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